
@article{aboulnaga_sustainability_2022,
	title = {Sustainability {Assessment} of the {National} {Museum} of {Egyptian} {Civilization} ({NMEC}): {Environmental}, {Social}, {Economic}, and {Cultural} {Analysis}},
	volume = {14},
	copyright = {https://creativecommons.org/licenses/by/4.0/},
	issn = {2071-1050},
	shorttitle = {Sustainability {Assessment} of the {National} {Museum} of {Egyptian} {Civilization} ({NMEC})},
	url = {https://www.mdpi.com/2071-1050/14/20/13080},
	doi = {10.3390/su142013080},
	abstract = {This article presents an assessment of sustainability conducted post the opening of the National Museum of Egyptian Civilization (NMEC), which underwent vast development that had significant impacts, not only on the global level but also on the international attention towards Egypt’s great civilization. The study investigates the impact of the NMEC’s environmental, social, and economic sustainability and cultural value. Both qualitative and quantitative approaches were adopted. The qualitative includes a preliminary study followed by site visits for collecting data and mapping the four sustainability pillars: environmental, social, economic, and cultural. The quantitative approach has been conducted by exploiting 33 indicators to measure five sustainability dimensions in addition to the UNESCO 15 Thematic Indicators for Culture in the 2030 Agenda; the impact of NMEC on social media using the data scraping technique exploiting GitHub. Energy audit results illustrate that the total annual energy consumption is 491,376.00 kWh (79\% in the ground fl. \& 21\% in the Mummies fl.), as well as 19.98 kWh/m2 (Gr. fl.) and 144 kWh/m2 (Mummies fl.); the first matches RIBA’s benchmark for museums, well below the ranking ‘Good’ (50 kWh/m2). Social sustainability impacts indicate that the word count’s effect on social media is 27\%, 31\%, and 42\% on Facebook, Instagram, and Twitter, respectively, while the number of followers is 92\%, 7\%, and 1\%. On Google, it is 1275 and ranks 4.7, whereas the number of posts is 231, 350, and 258. Economic sustainability assessment has been addressed by calculating the revenues throughout one year since the grand opening, and the total revenues amount to USD 2,794,047. The cultural sustainability assessment showed a positive response to the evaluation recorded for 9 out of 15 indicators. The sustainability assessment of the NMEC plays a key role in assuring livable and regenerative cities.},
	language = {en},
	number = {20},
	urldate = {2025-05-12},
	journal = {Sustainability},
	author = {Aboulnaga, Mohsen and Puma, Paola and Eletrby, Dalia and Bayomi, Mai and Farid, Mohamed},
	month = oct,
	year = {2022},
	pages = {13080},
	file = {Volltext:C\:\\Users\\cwik\\Zotero\\storage\\DNZGDS3B\\Aboulnaga et al. - 2022 - Sustainability Assessment of the National Museum of Egyptian Civilization (NMEC) Environmental, Soc.pdf:application/pdf},
}

@article{ayala_new_2024,
	title = {New management approaches and sustainability: the case of the {Museo} del {Traje} in {Madrid}},
	issn = {0954-8963, 1469-3690},
	shorttitle = {New management approaches and sustainability},
	url = {https://www.tandfonline.com/doi/full/10.1080/09548963.2024.2401061},
	doi = {10.1080/09548963.2024.2401061},
	language = {en},
	urldate = {2025-05-12},
	journal = {Cultural Trends},
	author = {Ayala, Íñigo},
	month = sep,
	year = {2024},
	pages = {1--16},
}

@article{balta_portoles_cultural_2017,
	title = {Cultural rights and their contribution to sustainable development: implications for cultural policy},
	volume = {23},
	issn = {1028-6632, 1477-2833},
	shorttitle = {Cultural rights and their contribution to sustainable development},
	url = {https://www.tandfonline.com/doi/full/10.1080/10286632.2017.1280787},
	doi = {10.1080/10286632.2017.1280787},
	language = {en},
	number = {2},
	urldate = {2025-05-12},
	journal = {International Journal of Cultural Policy},
	author = {Baltà Portolés, Jordi and Dragićevic Šešić, Milena},
	month = mar,
	year = {2017},
	pages = {159--173},
}

@article{biedermann_methodological_2024,
	title = {Methodological {Framework} for {Integrating} {Cultural} {Impact} in {Sustainability} {Assessments} of {Cultural} {Events}},
	volume = {16},
	copyright = {https://creativecommons.org/licenses/by/4.0/},
	issn = {2071-1050},
	url = {https://www.mdpi.com/2071-1050/16/16/6893},
	doi = {10.3390/su16166893},
	abstract = {Based on the three dimensions model of sustainability, different studies that address the integration of the culture and sustainability concepts from a theoretical field propose that culture should be included as another sustainability dimension to a greater degree. This approach has not been put into practice to date. In fact, when sustainability application is examined in cultural activities such as museums and exhibitions, in most cases it is associated with only one dimension and evaluation methodologies based on a holistic approach; the Life Cycle Sustainability Assessment (LCSA) is used in very few cases. In this work, a methodological framework is proposed to add the cultural dimension to the study of the environmental, economic, and social dimensions of sustainability. A sequence of phases in line with the LCSA methodology is used to achieve the simultaneous evaluation of impacts associated with a sustainability approach based on four dimensions. A thorough literature review revealed cultural indicators, which were classified and organized in order to facilitate the cultural impact assessment and complement the indicators already used to evaluate other dimensions. Additionally, the approaches and methods proposed are put into practice in a case study, which consists of an experimental exhibition room. The different phases of the methodology have been successively developed, and indicators for all sustainability dimensions have been obtained. Thus, the theoretical contribution of this work is embellished with the development of a practical case, which demonstrate that cultural dimensions can be evaluated together with the rest of the dimensions in order to obtain a multidimensional assessment of sustainability.},
	language = {en},
	number = {16},
	urldate = {2025-05-12},
	journal = {Sustainability},
	author = {Biedermann, Anna Maria and Muñoz López, Natalia and Santolaya Sáenz, José Luis and Asión-Suñer, Laura and Galán Pérez, Francisco Javier},
	month = aug,
	year = {2024},
	pages = {6893},
	file = {Full Text PDF:C\:\\Users\\cwik\\Zotero\\storage\\GZH42WDV\\Biedermann et al. - 2024 - Methodological Framework for Integrating Cultural Impact in Sustainability Assessments of Cultural E.pdf:application/pdf},
}

@article{cerquetti_meeting_2021,
	title = {Meeting {Sustainable} {Development} {Goals} ({SDGs}) in museum evaluation systems. {The} case of the {Italian} {National} {Museum} {System} ({NMS})},
	volume = {39},
	issn = {0393-5108},
	url = {https://www.sijm.it/wp-content/uploads/2021/05/09-cerquetti-montella-114-2021.pdf},
	doi = {10.7433/s114.2021.08},
	number = {1},
	urldate = {2025-05-12},
	journal = {Sinergie Italian Journal of Management},
	author = {Cerquetti, Mara and Montella, Marta Maria},
	month = may,
	year = {2021},
	pages = {125--147},
	file = {Volltext:C\:\\Users\\cwik\\Zotero\\storage\\KF8AUC9X\\Cerquetti und Montella - 2021 - Meeting Sustainable Development Goals (SDGs) in museum evaluation systems. The case of the Italian N.pdf:application/pdf},
}

@article{di_pietro_audience-centric_2014,
	title = {An {Audience}-{Centric} {Approach} for {Museums} {Sustainability}},
	volume = {6},
	copyright = {https://creativecommons.org/licenses/by/3.0/},
	issn = {2071-1050},
	url = {https://www.mdpi.com/2071-1050/6/9/5745},
	doi = {10.3390/su6095745},
	abstract = {The main purpose of this study is to propose a visitor centric perspective that can support museums towards sustainability. The main premise of this study is due to a concept of economic and social sustainability of museums, defined as the possession of sufficient resources to maintain the existence of an organization, and achieve their goals in the future, ensuring a certain flow of visitors. A great number of museums are characterized by a low number of visits; therefore, in order to become sustainable, museums should pay attention to audience and its internal diversity. In this way, a cultural site can plan tailored strategies to increase the number of visits and re-visits and to achieve community support. For this reason it is necessary to understand the cultural needs of visitors, acquiring appropriate monitoring tools, such as qualitative and quantitative ones. Generally, quantitative analyses are more reliable and complete, even if they require a considerable number of observations for the reliability of the results. Moreover, qualitative analysis provides more in depth information, even if their data do not allow us to make generalizations. The qualitative and quantitative methods for the detection of satisfaction are usually used separately, but their integration may bring significant added value in terms of the wealth of information. This study follows the analysis of the potential of the integration of qualitative and quantitative analysis techniques customized with respect to different types of targets. The results of the experimentation performed on ethnographic museums shows a consistency of the results obtained by the two different tools that increase the capacity information of survey instruments.},
	language = {en},
	number = {9},
	urldate = {2025-05-12},
	journal = {Sustainability},
	author = {Di Pietro, Laura and Guglielmetti Mugion, Roberta and Renzi, Maria and Toni, Martina},
	month = aug,
	year = {2014},
	pages = {5745--5762},
	file = {Volltext:C\:\\Users\\cwik\\Zotero\\storage\\DE6QFDCL\\Di Pietro et al. - 2014 - An Audience-Centric Approach for Museums Sustainability.pdf:application/pdf},
}

@article{domingues_environmental_2023,
	title = {Environmental performance measurement in arts and cultural organisations: {Exploring} factors influencing organisational changes},
	volume = {326},
	issn = {03014797},
	shorttitle = {Environmental performance measurement in arts and cultural organisations},
	url = {https://linkinghub.elsevier.com/retrieve/pii/S0301479722023040},
	doi = {10.1016/j.jenvman.2022.116731},
	language = {en},
	urldate = {2025-05-12},
	journal = {Journal of Environmental Management},
	author = {Domingues, Ana Rita and Mazhar, Muhammad Usman and Bull, Richard},
	month = jan,
	year = {2023},
	pages = {116731},
	file = {Volltext:C\:\\Users\\cwik\\Zotero\\storage\\YXG6W9JV\\Domingues et al. - 2023 - Environmental performance measurement in arts and cultural organisations Exploring factors influenc.pdf:application/pdf},
}

@article{duxbury_cultural_2017,
	title = {Cultural policies for sustainable development: four strategic paths},
	volume = {23},
	issn = {1028-6632, 1477-2833},
	shorttitle = {Cultural policies for sustainable development},
	url = {https://www.tandfonline.com/doi/full/10.1080/10286632.2017.1280789},
	doi = {10.1080/10286632.2017.1280789},
	language = {en},
	number = {2},
	urldate = {2025-05-12},
	journal = {International Journal of Cultural Policy},
	author = {Duxbury, Nancy and Kangas, Anita and De Beukelaer, Christiaan},
	month = mar,
	year = {2017},
	pages = {214--230},
}

@article{feher_differences_2023,
	title = {Differences in sustainability approaches from the mission statements of museums – the case of {CEE} and other {European} contemporary art museums},
	volume = {31},
	issn = {2573-9638, 2573-9646},
	url = {https://www.tandfonline.com/doi/full/10.1080/25739638.2023.2258610},
	doi = {10.1080/25739638.2023.2258610},
	language = {en},
	number = {3},
	urldate = {2025-05-12},
	journal = {Journal of Contemporary Central and Eastern Europe},
	author = {Fehér, Zsuzsanna and Ásványi, Katalin},
	month = sep,
	year = {2023},
	pages = {683--701},
	file = {Volltext:C\:\\Users\\cwik\\Zotero\\storage\\VL9MK9DX\\Fehér und Ásványi - 2023 - Differences in sustainability approaches from the mission statements of museums – the case of CEE an.pdf:application/pdf},
}

@article{ferran_vila_implementation_2023,
	title = {The implementation of {Sustainable} {Development} {Goals} ({SDGs}) in {Andorran} cultural policy},
	volume = {29},
	issn = {1028-6632, 1477-2833},
	url = {https://www.tandfonline.com/doi/full/10.1080/10286632.2022.2077934},
	doi = {10.1080/10286632.2022.2077934},
	language = {en},
	number = {5},
	urldate = {2025-05-12},
	journal = {International Journal of Cultural Policy},
	author = {Ferran Vila, Susanna and Yáñez, Cristina and Miotto, Giorgia},
	month = jul,
	year = {2023},
	pages = {634--647},
}

@article{figueira_regenerative_2025,
	title = {Regenerative cultural policy: sustainable development, cultural relations, and social learning},
	volume = {31},
	issn = {1028-6632, 1477-2833},
	shorttitle = {Regenerative cultural policy},
	url = {https://www.tandfonline.com/doi/full/10.1080/10286632.2025.2470812},
	doi = {10.1080/10286632.2025.2470812},
	language = {en},
	number = {4},
	urldate = {2025-05-12},
	journal = {International Journal of Cultural Policy},
	author = {Figueira, Carla and Fullman, Aimee R.},
	month = jun,
	year = {2025},
	pages = {451--466},
}

@article{finley_bankruptcy_2006,
	title = {From {Bankruptcy} to {Sustainability}: {Stakeholder} {Engagement} and {Strategic} {Renewal} in a {Performing} {Arts} {Organization}},
	volume = {9},
	issn = {14808986},
	url = {http://www.jstor.org/stable/41064893},
	abstract = {[The authors examine the journey of the Calgary Philharmonic Orchestra (CPO) from bankruptcy protection to sustainability. In late 2002 the CPO, one of the premier Canadian arts organizations, was facing the threat of dissolution. However, by undergoing an intensive renewal process that involved the collaboration of musicians, staff and board members over the span of seven weeks and 8,000 hours, the CPO developed a comprehensive renewal plan, enabling it to overcome challenges similar to those facing many orchestras across North America. The CPO case illustrates how an organization-wide visioning process can be used to leverage and unleash the forces of change. It demonstrates extensive use of visioning and strategizing groups, broad-participation visioning processes, innovative operational models, market-focused audience development and a commitment to trying new approaches. The CPO achieved all of this while preserving its heart and soul and its artistic excellence. Les auteurs étudient Le péripLe de l'Orchestre phiLharmonique de CaLgary (OPC) depuis Le recours à La protection de La Loi sur Les faillites jusqu'à la viabilité. Vers la fin de 2002, cette organisation artistique canadienne de premier plan était menacée de dissolution. Toutefois, grâce à un processus de redressement faisant appel à la collaboration de musiciens, du personnel et d'administrateurs échelonné sur sept semaines et ayant exigé 8000 heures de travail, l'OPC s'est donné un plan de redressement d'ensemble qui Lui a permis de relever les défis que partagent de nombreux orchestres d'Amérique du Nord. Le cas de l'OPC illustre comment un processus de visualisation de l'avenir mené à l'échelle de l'organisme peut servir à amplifier et à libérer les forces du changement. Il montre un recours extensif à des groupes de réflexion pour renouveler La vision et définir des stratégies, une importante participation dans les processus de visualisation, des modèles d'exploitation novateurs, une politique de développement de l'auditoire axée sur le marché et une détermination à essayer de nouvelles approches. L'OPC y est parvenu tout en préservant son âme et son intégrité artistique. En este trabajo, los autores analizan la trayectoría de la Orquesta Filarmónica de Calgary (Calgary Philharmonic Orchestra, CPO), que es hoy una empresa cultural sostenible después de haber estado al borde de la quiebra. A finales de 2002, la CPO -una de las principales organizaciones canadienses en el ámbito de las artes— enfrentaba la amenaza de la disolución. Pero gracias a un intenso proceso de renovación que se llevó a cabo a lo largo de siete semanas y 8.000 horas, y que contó con la colaboración de los músicos, el personal y los miembros de la junta directiva, la orquesta lanzó un plan de renovación integral que le permitió superar dificultades parecidas a los retos a los cuales se enfrentan numerosas orquestas de América del Norte. El caso de la CPO nos enseña que un proceso de creación de visión capaz de mobilizar a toda la organización puede multiplicar y liberar las fuerzas del cambio. Se recurrió ampliamente al uso de grupos de visualización y de formulación de estrategias, a procesos de creación de visión con amplia participación y a modelos operacionales innovadores; al mismo tiempo, se trabajó en los factores de mercado para la captación de audiencia y se manifestó en todo momento una clara voluntad de probar nuevos enfoques. La Orquesta Filarmónica de Calgary logró este éxito sin perder su alma y su esencia y sin comprometer su excelencia artística.]},
	number = {1},
	urldate = {2025-05-12},
	journal = {International Journal of Arts Management},
	author = {Finley, Donna S. and Gralen, Alana and Fichtner, Larry},
	year = {2006},
	note = {Publisher: HEC - Montréal - Chair of Arts Management},
	pages = {4--16},
	file = {PDF:C\:\\Users\\cwik\\Zotero\\storage\\Q238YDH5\\Finley et al. - 2006 - From Bankruptcy to Sustainability Stakeholder Engagement and Strategic Renewal in a Performing Arts.pdf:application/pdf},
}

@article{faucher_towards_2025,
	title = {Towards a sustainable cultural diplomacy},
	issn = {1028-6632, 1477-2833},
	url = {https://www.tandfonline.com/doi/full/10.1080/10286632.2025.2470826},
	doi = {10.1080/10286632.2025.2470826},
	language = {en},
	urldate = {2025-05-12},
	journal = {International Journal of Cultural Policy},
	author = {Faucher, Charlotte and Zhu, Biyun},
	month = mar,
	year = {2025},
	pages = {1--16},
	file = {Full Text PDF:C\:\\Users\\cwik\\Zotero\\storage\\HTA3T5J4\\Faucher und Zhu - 2025 - Towards a sustainable cultural diplomacy.pdf:application/pdf},
}

@article{huhmarniemi_arctic_2020,
	title = {Arctic {Arts} with {Pride}: {Discourses} on {Arctic} {Arts}, {Culture} and {Sustainability}},
	volume = {12},
	copyright = {https://creativecommons.org/licenses/by/4.0/},
	issn = {2071-1050},
	shorttitle = {Arctic {Arts} with {Pride}},
	url = {https://www.mdpi.com/2071-1050/12/2/604},
	doi = {10.3390/su12020604},
	abstract = {There has been growing interest in Arctic arts and culture as well as in sustainability among artists, researchers, and policy makers. However, until recently, the comprehension of Arctic arts and culture within the framework of sustainable development has remained vague. In this study, by analysing diverse debates from the Arctic Arts Summit 2019 in Rovaniemi, we investigate how the arts and culture sector promotes Arctic sustainability. An analysis of abstracts, conclusions, blogs and newspaper articles reflecting the presentations, art events, exhibitions and dialogues showed that the discourse on sustainability is organised around five themes: (1) global politics and ecological crises as part of the cultural politics of the Arctic; (2) indigenous and non-indigenous Arctic arts and culture; (3) ‘handmade’ and the material culture of the Arctic; (4) place-making, revitalisation and regional development; and (5) economy and sustainability. These partly interlinked themes have relevance for policy making, defining principles for arts and culture funding, artistic practice and research on the Arctic. In addition, education and artistic training are important for all of the five themes; therefore, resources for educational institutions are crucial for the sustainable future of the Arctic. Arts, culture and education have the potential to empower people in the Arctic, increase cultural pride, educate and inform global audiences and create connectedness between the past, present and future. Arts, culture and education contribute to Arctic sustainability.},
	language = {en},
	number = {2},
	urldate = {2025-05-12},
	journal = {Sustainability},
	author = {Huhmarniemi, Maria and Jokela, Timo},
	month = jan,
	year = {2020},
	pages = {604},
	file = {Volltext:C\:\\Users\\cwik\\Zotero\\storage\\AH26CH6Y\\Huhmarniemi und Jokela - 2020 - Arctic Arts with Pride Discourses on Arctic Arts, Culture and Sustainability.pdf:application/pdf},
}

@article{isar_culture_2017,
	title = {‘{Culture}’, ‘sustainable development’ and cultural policy: a contrarian view},
	volume = {23},
	issn = {1028-6632, 1477-2833},
	shorttitle = {‘{Culture}’, ‘sustainable development’ and cultural policy},
	url = {https://www.tandfonline.com/doi/full/10.1080/10286632.2017.1280785},
	doi = {10.1080/10286632.2017.1280785},
	language = {en},
	number = {2},
	urldate = {2025-05-12},
	journal = {International Journal of Cultural Policy},
	author = {Isar, Yudhishthir Raj},
	month = mar,
	year = {2017},
	pages = {148--158},
}

@article{loach_cultural_2017,
	title = {Cultural sustainability as a strategy for the survival of museums and libraries},
	volume = {23},
	issn = {1028-6632, 1477-2833},
	url = {https://www.tandfonline.com/doi/full/10.1080/10286632.2016.1184657},
	doi = {10.1080/10286632.2016.1184657},
	language = {en},
	number = {2},
	urldate = {2025-05-12},
	journal = {International Journal of Cultural Policy},
	author = {Loach, Kirsten and Rowley, Jennifer and Griffiths, Jillian},
	month = mar,
	year = {2017},
	pages = {186--198},
	file = {Volltext:C\:\\Users\\cwik\\Zotero\\storage\\F7GM9L3N\\Loach et al. - 2017 - Cultural sustainability as a strategy for the survival of museums and libraries.pdf:application/pdf},
}

@article{loddo_empowering_2021,
	title = {Empowering {Collections}-{Based} {Organizations} to {Participate} in {Agenda} 2030: {The} “{Our} {Collections} {Matter} {Toolkit}”},
	volume = {13},
	copyright = {https://creativecommons.org/licenses/by/4.0/},
	issn = {2071-1050},
	shorttitle = {Empowering {Collections}-{Based} {Organizations} to {Participate} in {Agenda} 2030},
	url = {https://www.mdpi.com/2071-1050/13/24/13964},
	doi = {10.3390/su132413964},
	abstract = {Collections-based organizations (CBOs) can play a crucial role in addressing sustainable development (SD), but their aspiration to become more sustainable, as seen in policies and guidelines, is confronted with several challenges in practice. To facilitate a sustainability transition, this process of change needs to be managed and adequate tools adopted and implemented. Many tools exist to support this transition; however, a scarcity of centralized resources available to CBOs might negatively affect the integration of sustainability practices in their work. With the aim to address this gap, ICCROM launched the project “Our Collections Matter” (OCM) and developed an online toolkit (OCMT) to centralize resources and help CBOs align their work to the UN Agenda 2030. Recently, a workshop was organized with professionals in the field to discuss shared challenges and aspirations and to test the OCMT. This study reflects on how such centralization of resources can contribute to overcoming existing challenges and support the sustainability aspirations of CBOs, fostering change in the field. To do that, the workshop outcomes are analyzed and discussed from a change management perspective, looking at the impact that the OCM project and its activities can have on fostering change, and the role that ICCROM can play in facilitating the sustainability transition of the field.},
	language = {en},
	number = {24},
	urldate = {2025-05-12},
	journal = {Sustainability},
	author = {Loddo, Marzia and Rosetti, Ilaria and McGhie, Henry and Pedersoli, José Luiz},
	month = dec,
	year = {2021},
	pages = {13964},
	file = {Volltext:C\:\\Users\\cwik\\Zotero\\storage\\QSZKXVNZ\\Loddo et al. - 2021 - Empowering Collections-Based Organizations to Participate in Agenda 2030 The “Our Collections Matte.pdf:application/pdf},
}

@article{maxwell_greening_2017,
	title = {Greening cultural policy},
	volume = {23},
	issn = {1028-6632, 1477-2833},
	url = {https://www.tandfonline.com/doi/full/10.1080/10286632.2017.1280786},
	doi = {10.1080/10286632.2017.1280786},
	language = {en},
	number = {2},
	urldate = {2025-05-12},
	journal = {International Journal of Cultural Policy},
	author = {Maxwell, Richard and Miller, Toby},
	month = mar,
	year = {2017},
	pages = {174--185},
	file = {Akzeptierte Version:C\:\\Users\\cwik\\Zotero\\storage\\PPM7NY9A\\Maxwell und Miller - 2017 - Greening cultural policy.pdf:application/pdf},
}

@article{merriman_museum_2008,
	title = {Museum collections and sustainability},
	volume = {17},
	issn = {0954-8963, 1469-3690},
	url = {http://www.tandfonline.com/doi/abs/10.1080/09548960801920278},
	doi = {10.1080/09548960801920278},
	language = {en},
	number = {1},
	urldate = {2025-05-12},
	journal = {Cultural Trends},
	author = {Merriman, Nick},
	month = mar,
	year = {2008},
	pages = {3--21},
}

@article{morgan_-growing_2020,
	title = {De-growing museum collections for new heritage futures},
	volume = {26},
	issn = {1352-7258, 1470-3610},
	url = {https://www.tandfonline.com/doi/full/10.1080/13527258.2018.1530289},
	doi = {10.1080/13527258.2018.1530289},
	language = {en},
	number = {1},
	urldate = {2025-05-12},
	journal = {International Journal of Heritage Studies},
	author = {Morgan, Jennie and Macdonald, Sharon},
	month = jan,
	year = {2020},
	pages = {56--70},
	file = {Volltext:C\:\\Users\\cwik\\Zotero\\storage\\63Y6R55D\\Morgan und Macdonald - 2020 - De-growing museum collections for new heritage futures.pdf:application/pdf},
}

@article{munoz-lopez_sustainability_2021,
	title = {Sustainability in the {Design} of an {Itinerant} {Cultural} {Exhibition}. {Study} of {Two} {Alternatives}},
	volume = {11},
	copyright = {https://creativecommons.org/licenses/by/4.0/},
	issn = {2076-3417},
	url = {https://www.mdpi.com/2076-3417/11/21/9863},
	doi = {10.3390/app11219863},
	abstract = {The sustainability improvement of museums and exhibitions is a recent concern for multiple organisations. The application of sustainability criteria is one of the most important strategies of innovation in design activities, products, and service systems. This study analyses the sustainability of two alternatives to an itinerant cultural exhibition service. The exhibition travels to 12 destinations over 3 years and is within a space of 300 m2. In the first alternative, the contents are printed and exposed on a physical medium, and in the second, audiovisual media projects the contents on the walls. Life cycle sustainability assessment is applied to evaluate the impacts in the environmental dimension and the economic and social dimensions. The calculation of indicators, such as the greenhouse gas emissions, total costs, and working time, which are referred to each sustainability dimension, is conducted. A descriptive, comparative study was performed to identify the impact factors with a higher incidence. The results demonstrate that the audiovisual exhibition is more sustainable than the printed exhibition, with a difference of 8.7\%, 7\%, and 6.6\% in GWP100, CE, and TW indicators, respectively.},
	language = {en},
	number = {21},
	urldate = {2025-05-12},
	journal = {Applied Sciences},
	author = {Muñoz-López, Natalia and Biedermann, Anna and Santolaya-Sáenz, José Luis and Valero-Martín, José Ignacio and Serrano-Tierz, Ana},
	month = oct,
	year = {2021},
	pages = {9863},
	file = {Volltext:C\:\\Users\\cwik\\Zotero\\storage\\JALITXKK\\Muñoz-López et al. - 2021 - Sustainability in the Design of an Itinerant Cultural Exhibition. Study of Two Alternatives.pdf:application/pdf},
}

@article{muller_how_2024,
	title = {How sustainable are cultural organizations? {A} global benchmark},
	volume = {20},
	issn = {1548-7733},
	shorttitle = {How sustainable are cultural organizations?},
	url = {https://www.tandfonline.com/doi/full/10.1080/15487733.2024.2312660},
	doi = {10.1080/15487733.2024.2312660},
	language = {en},
	number = {1},
	urldate = {2025-05-12},
	journal = {Sustainability: Science, Practice and Policy},
	author = {Müller, Martin and Grieshaber, Julie},
	month = dec,
	year = {2024},
	pages = {2312660},
	file = {Volltext:C\:\\Users\\cwik\\Zotero\\storage\\PJ3NNFCU\\Müller und Grieshaber - 2024 - How sustainable are cultural organizations A global benchmark.pdf:application/pdf},
}

@article{nassef_investigating_2023,
	title = {Investigating the {Socio}-{Economic} {Sustainability} within the {Egyptian} {Museums} over the {Last} {Decade}},
	volume = {15},
	copyright = {https://creativecommons.org/licenses/by/4.0/},
	issn = {2071-1050},
	url = {https://www.mdpi.com/2071-1050/15/24/16746},
	doi = {10.3390/su152416746},
	abstract = {Over the last few decades, contemporary museums have undergone a radical change: they have become public places that promote socio-economic sustainability through recreation, commercial, and cultural activities. This shift has altered public perception of museums globally and had a profound impact on today’s museums, resulting in new prototypes that differ significantly from prior ones. This study tries to answer the following questions: How far have Egyptian museums evolved over the last decade? what degree can the radical transformation in museum design assist in fulfilling Egypt’s SDGs? To answer these questions, this study attempts to explore how far Egyptian museums have adapted to this fundamental change, by tracing the evolution of Egyptian museum design compared with the findings of the author’s previous thesis in 2012 and Egypt’s SDGs. This study used qualitative methods, which began with a thorough literature review, followed by a comparative analysis of the selected case studies. The findings revealed that the contemporary design of recent Egyptian museums, by including social and economic activities, significantly supports the national and global agenda in terms of SDG. This article provides architects, designers, and policy makers with clear design criteria to enhance the social and economic role of museums, towards fulfilling SDGs.},
	language = {en},
	number = {24},
	urldate = {2025-05-12},
	journal = {Sustainability},
	author = {Nassef, Mazen and Mohammed, Nadia and Ibrahim, Maha},
	month = dec,
	year = {2023},
	pages = {16746},
	file = {Volltext:C\:\\Users\\cwik\\Zotero\\storage\\ICFXBMNP\\Nassef et al. - 2023 - Investigating the Socio-Economic Sustainability within the Egyptian Museums over the Last Decade.pdf:application/pdf},
}

@article{nikolic_towards_2023,
	title = {Towards {Sustainability} in the {Museum} {Sector}: {A} {Circular}-{Economy}-{Based} {Model} for {Museum} {Collections}},
	volume = {75},
	issn = {1350-0775, 1468-0033},
	shorttitle = {Towards {Sustainability} in the {Museum} {Sector}},
	url = {https://www.tandfonline.com/doi/full/10.1080/13500775.2023.2343209},
	doi = {10.1080/13500775.2023.2343209},
	language = {en},
	number = {1-4},
	urldate = {2025-05-12},
	journal = {Museum International},
	author = {Nikolić, Aleksandra and Petrović, Nataša},
	month = jan,
	year = {2023},
	pages = {20--31},
}

@article{oakley_art_2018,
	title = {The art of the good life: culture and sustainable prosperity},
	volume = {27},
	issn = {0954-8963, 1469-3690},
	shorttitle = {The art of the good life},
	url = {https://www.tandfonline.com/doi/full/10.1080/09548963.2018.1415408},
	doi = {10.1080/09548963.2018.1415408},
	language = {en},
	number = {1},
	urldate = {2025-05-12},
	journal = {Cultural Trends},
	author = {Oakley, Kate and Ward, Jonathan},
	month = jan,
	year = {2018},
	pages = {4--17},
	file = {Akzeptierte Version:C\:\\Users\\cwik\\Zotero\\storage\\4D35A4YG\\Oakley und Ward - 2018 - The art of the good life culture and sustainable prosperity.pdf:application/pdf},
}

@article{pencarelli_sustainable_2016,
	title = {The sustainable management of museums: an {Italian} perspective},
	volume = {22},
	issn = {13307533, 18473377},
	shorttitle = {The sustainable management of museums},
	url = {https://thm.fthm.hr/images/issues/vol22no1/3_Pencarelli_Cerquetti_Splendiani},
	doi = {10.20867/thm.22.1.6},
	abstract = {Purpose – The theme of sustainability in museums has not been sufficiently explored in the international literature on cultural heritage management as well as few museums are already involved in programs to promote sustainable development. Considering this gap, the purpose of this study is twofold. Firstly, to provide a conceptual model applying the principles of sustainable development to the enhancement of cultural heritage and, secondly, to analyze the case of Marche Region. Design – After analysing the three dimensions of sustainability – environmental, social and economic – and their possible application to museum management, the research tested the theoretical assumptions through an exploratory qualitative/ quantitative survey. Methodology –The structured questionnaire was submitted to a sample of museums and consisted of a wide range of questions, primarily, although not exclusively, quantitative, which examined both museum management and sustainability orientation. Approach – The analysis focused on two different dimensions: the first aimed at understanding the perception of sustainability and the value of its components, the second aimed at investigating museums’ willingness and reasons to engage in concrete sustainability-oriented actions. Finding – The field research showed Marche Region’s museums have a full awareness of the benefits of sustainable management. However, the lack of a managerial approach to the museums’ development compromises their ability to transfer this orientation in operational policies. Originality of research – The paper provides a multidimensional model for measuring the level of museum sustainability, able to analyze cultural and behavioral components. This analysis identifies possible areas of intervention for regional policies aimed at improving sustainability orientation of museums.},
	number = {1},
	urldate = {2025-05-12},
	journal = {Tourism and hospitality management},
	author = {Pencarelli, Tonino and Cerquetti, Mara and Splendiani, Simone},
	year = {2016},
	pages = {29--46},
	file = {Volltext:C\:\\Users\\cwik\\Zotero\\storage\\JCTZSVNI\\Pencarelli et al. - 2016 - The sustainable management of museums an Italian perspective.pdf:application/pdf},
}

@article{pop_factors_2016,
	title = {Factors {Influencing} {Museum} {Sustainability} and {Indicators} for {Museum} {Sustainability} {Measurement}},
	volume = {8},
	copyright = {https://creativecommons.org/licenses/by/4.0/},
	issn = {2071-1050},
	url = {https://www.mdpi.com/2071-1050/8/1/101},
	doi = {10.3390/su8010101},
	abstract = {The purpose of this research was to identify the factors upon which museum sustainability depends and the way in which this can be measured. Methodologically, we applied a qualitative research approach, using semi-structured interviews with experts from the Romanian museum sector, complemented by an in-depth study of the literature in this field. Results indicated that any objective measuring of sustainability must take into account the size of a museum’s collections and its organizational structure. It was also found that museum type can affect sustainability via its competitive advantage. However, the sustainability of a museum is not strictly determined by these factors, but also by the management and marketing strategies applied. Based on analysis of literature- and respondent-based factors influencing sustainability, this article proposes a set of 33 indicators that can be used by museums to measure their sustainability, as well as a model that enables evaluation of the sustainability levels of various museums comparatively, regardless of their type, size or importance (e.g., national, regional and local). The results obtained are useful both from a theoretical point of view, given that there are few writings on this topic, and from a practical point of view, as they provide a basis for a clear, objective model of museum sustainability measurement.},
	language = {en},
	number = {1},
	urldate = {2025-05-12},
	journal = {Sustainability},
	author = {Pop, Izabela and Borza, Anca},
	month = jan,
	year = {2016},
	pages = {101},
	file = {Volltext:C\:\\Users\\cwik\\Zotero\\storage\\JTQHQ5XU\\Pop und Borza - 2016 - Factors Influencing Museum Sustainability and Indicators for Museum Sustainability Measurement.pdf:application/pdf},
}

@article{pop_achieving_2019,
	title = {Achieving {Cultural} {Sustainability} in {Museums}: {A} {Step} {Toward} {Sustainable} {Development}},
	volume = {11},
	copyright = {https://creativecommons.org/licenses/by/4.0/},
	issn = {2071-1050},
	shorttitle = {Achieving {Cultural} {Sustainability} in {Museums}},
	url = {https://www.mdpi.com/2071-1050/11/4/970},
	doi = {10.3390/su11040970},
	abstract = {Cultural sustainability is increasingly being perceived as a fourth dimension of sustainable development. So far, some studies have debated the way in which cultural sustainability can lead to economic, social, and environmental benefits, while others have highlighted how the classic pillars of sustainability can help museums to achieve their core cultural mission. However, empirical studies regarding cultural sustainability in museums are scarce. Thus, one of the aims of our research was to fill this gap by developing several econometric models that explain the influence of heritage exposure; environmental behavior; openness to the public; and effectiveness and performance in collecting, preserving, and researching the cultural heritage. A second aim was to advance the current knowledge in this field by creating an integrated frame that explains the interconnections between different variables that help museums become sustainable, as well as the place and role of cultural sustainability within the overall framework of sustainable development. To achieve these goals, an in-depth analysis of the literature was followed by a survey of 86 Romanian museums. The results show that the ability of museums to reach cultural sustainability is influenced by components of their social and economic performance, while environmental behavior proved to be insignificant.},
	language = {en},
	number = {4},
	urldate = {2025-05-12},
	journal = {Sustainability},
	author = {Pop, Izabela Luiza and Borza, Anca and Buiga, Anuța and Ighian, Diana and Toader, Rita},
	month = feb,
	year = {2019},
	pages = {970},
	file = {Volltext:C\:\\Users\\cwik\\Zotero\\storage\\Y3MFVWVS\\Pop et al. - 2019 - Achieving Cultural Sustainability in Museums A Step Toward Sustainable Development.pdf:application/pdf},
}

@article{power_sustainability_2021,
	title = {‘{Sustainability}’ and the performing arts: {Discourse} analytic evidence from {Australia}},
	volume = {89},
	issn = {0304422X},
	shorttitle = {‘{Sustainability}’ and the performing arts},
	url = {https://linkinghub.elsevier.com/retrieve/pii/S0304422X21000644},
	doi = {10.1016/j.poetic.2021.101580},
	language = {en},
	urldate = {2025-05-12},
	journal = {Poetics},
	author = {Power, Kate},
	month = dec,
	year = {2021},
	pages = {101580},
}

@article{rayman-bacchus_advancing_2020,
	title = {Advancing culture’s role in sustainable development: social change through cultural policy},
	volume = {26},
	issn = {1028-6632, 1477-2833},
	shorttitle = {Advancing culture’s role in sustainable development},
	url = {https://www.tandfonline.com/doi/full/10.1080/10286632.2019.1624735},
	doi = {10.1080/10286632.2019.1624735},
	language = {en},
	number = {5},
	urldate = {2025-05-12},
	journal = {International Journal of Cultural Policy},
	author = {Rayman-Bacchus, Lez and Radavoi, Ciprian N.},
	month = jul,
	year = {2020},
	pages = {649--667},
}

@article{rodrigues_greens_2024,
	title = {Green’s the word. {Cultural} policies and the ecological turn},
	issn = {1028-6632, 1477-2833},
	url = {https://www.tandfonline.com/doi/full/10.1080/10286632.2024.2443414},
	doi = {10.1080/10286632.2024.2443414},
	language = {en},
	urldate = {2025-05-12},
	journal = {International Journal of Cultural Policy},
	author = {Rodrigues, Vânia},
	month = dec,
	year = {2024},
	pages = {1--15},
}

@article{rodrigues_greening_2024,
	title = {Greening our future: cultural policy and the ecological imperative},
	volume = {14},
	issn = {2663-5771},
	shorttitle = {Greening our future},
	url = {https://www.frontierspartnerships.org/articles/10.3389/ejcmp.2024.12707/full},
	doi = {10.3389/ejcmp.2024.12707},
	abstract = {What is it exactly about the quest to “green” the performing arts that so fundamentally challenges the sector’s modi operandi? A sense of urgency around climate change and ecological degradation is informing profound changes in the way the arts field sees itself and slowly inducing a discussion on the sustainability of its working practices. However, despite the undeniable planetary emergency, the lumping together of environmental issues and cultural policy and management frameworks remains complex and controversial, especially if considered from the perspective of the European semi-peripheries. By exploring the preliminary results of a nation-wide inquiry among 140 performing arts regularly funded organisations based in Portugal, this paper discusses the implications of the overarching challenge of environmental sustainability for cultural policymaking and arts management, seeking to contribute to a more nuanced and context-sensitive understanding of the “green transition.”},
	urldate = {2025-05-12},
	journal = {European Journal of Cultural Management and Policy},
	author = {Rodrigues, Vânia},
	month = nov,
	year = {2024},
	pages = {12707},
	file = {Volltext:C\:\\Users\\cwik\\Zotero\\storage\\NESULLUZ\\Rodrigues - 2024 - Greening our future cultural policy and the ecological imperative.pdf:application/pdf},
}

@article{rodrigues_embracing_2025,
	title = {Embracing ambivalence: responsibility discourses around ‘greening’ the performing arts},
	volume = {28},
	issn = {1174-5398, 2159-6816},
	shorttitle = {Embracing ambivalence},
	url = {https://www.tandfonline.com/doi/full/10.1080/11745398.2024.2358765},
	doi = {10.1080/11745398.2024.2358765},
	language = {en},
	number = {1},
	urldate = {2025-05-12},
	journal = {Annals of Leisure Research},
	author = {Rodrigues, Vânia and Ventura, António},
	month = jan,
	year = {2025},
	pages = {136--151},
}

@article{sobocinska_role_2019,
	title = {The {Role} of {Marketing} in {Cultural} {Institutions} in the {Context} of {Assumptions} of {Sustainable} {Development} {Concept}—{A} {Polish} {Case} {Study}},
	volume = {11},
	copyright = {https://creativecommons.org/licenses/by/4.0/},
	issn = {2071-1050},
	url = {https://www.mdpi.com/2071-1050/11/11/3188},
	doi = {10.3390/su11113188},
	abstract = {Development of both the marketing and cultural sectors have multi-directional natures, showing relationships with sustainable development that should be considered at various levels of cultural sector management in cultural institutions, at the level of the cultural policy of the state or region, and on the micro-scale. Not only do the natural environment, economy, and technology constitute areas of sustainable development, but also society and culture. The assumptions about sustainable development by cultural institutions are related to implementing marketing concepts in this sphere, in that they are the expression of market orientation (on consumer of culture). The goal of this study was to show that marketing by cultural institutions, as a reflection of their market orientation, translates into these institutions’ implementation of the assumptions of sustainable development. This paper is based on literature studies and the results of empirical and quantitative research that was conducted on a sample of 451 people managing cultural institutions in Poland. The research included general managers, managers, artistic directors, managers of marketing, promotion and sales departments, as well as owners of cultural institutions. Analysis of research results shows that consumers of culture are ranked first as recipients of targeted actions conducted by cultural institutions. An increase in the diversity of cultural offers, including the concept of sustainable development, emerged as a factor stimulating the development of the culture market, being closely related to growth of the quality of cultural offer.},
	language = {en},
	number = {11},
	urldate = {2025-05-12},
	journal = {Sustainability},
	author = {Sobocińska, Magdalena},
	month = jun,
	year = {2019},
	pages = {3188},
	file = {Volltext:C\:\\Users\\cwik\\Zotero\\storage\\WWT4F75N\\Sobocińska - 2019 - The Role of Marketing in Cultural Institutions in the Context of Assumptions of Sustainable Developm.pdf:application/pdf},
}

@article{sutter_fostering_2016,
	title = {Fostering {Cultures} of {Sustainability} through {Community}-{Engaged} {Museums}: {The} {History} and {Re}-{Emergence} of {Ecomuseums} in {Canada} and the {USA}},
	volume = {8},
	copyright = {https://creativecommons.org/licenses/by/4.0/},
	issn = {2071-1050},
	shorttitle = {Fostering {Cultures} of {Sustainability} through {Community}-{Engaged} {Museums}},
	url = {https://www.mdpi.com/2071-1050/8/12/1310},
	doi = {10.3390/su8121310},
	abstract = {In recent decades, communities around the world have been reacting to the forces of globalization by re-focusing on the local, leading to the democratization of culture, heritage, and related concepts. By attempting to reconnect locals with their own sense of belonging, to reinvigorate a pride of place, and to foster wellbeing, communities have increasingly and successfully turned to features that make their local history, heritage, and environment unique or distinctive. In turn, democratization processes have led to sustainable forms of economic and community development through ecomuseums and other examples of community-engaged museums. This paper aims to deepen our understanding of relevant community-based culture and heritage initiatives by reflecting on the development of ecomuseums in Canada and the USA. As part of the larger museum community, ecomuseums tend to be accessible entities that are not affiliated with political or other convictions or viewpoints. This makes them uniquely positioned to foster creative change and adaptation aimed at sustainability, yet their evolution in North America has not been examined from this perspective. To address this gap, this paper will highlight the Haute-Beauce Ecomuseum in Québec and the Ak-Chin Him Dak Ecomuseum in Arizona, which have long histories as North American ecomuseums and represent two very different cultural and geographic contexts. We also reflect on the history of ecomuseums in Canada, and their recent emergence in the Canadian province of Saskatchewan.},
	language = {en},
	number = {12},
	urldate = {2025-05-12},
	journal = {Sustainability},
	author = {Sutter, Glenn and Sperlich, Tobias and Worts, Douglas and Rivard, René and Teather, Lynne},
	month = dec,
	year = {2016},
	pages = {1310},
	file = {Volltext:C\:\\Users\\cwik\\Zotero\\storage\\76MVEF6C\\Sutter et al. - 2016 - Fostering Cultures of Sustainability through Community-Engaged Museums The History and Re-Emergence.pdf:application/pdf},
}

@article{soini_culture-sustainability_2016,
	title = {Culture-{Sustainability} {Relation}: {Towards} a {Conceptual} {Framework}},
	volume = {8},
	copyright = {https://creativecommons.org/licenses/by/4.0/},
	issn = {2071-1050},
	shorttitle = {Culture-{Sustainability} {Relation}},
	url = {https://www.mdpi.com/2071-1050/8/2/167},
	doi = {10.3390/su8020167},
	abstract = {Several individual scholars and international organizations have attempted to conceptualize “culture” in its different meanings in sustainability. Despite those efforts, a tangle of different approaches are being used, reflecting the various disciplines and policy aims. In this paper we propose an interdisciplinary framework for identifying the different roles of culture in sustainability in an attempt to guide the research and policy activities in this complex field.  The framework is comprised of three representations defined by a literature review on “cultural sustainability”, which are further explored through eight organizing dimensions that mark the similarities and differences between the three representations. The article reveals that the three representations are partly interlinked and that they also reveal gradients in the dynamics of the system, as well as in the human/nature interface.},
	language = {en},
	number = {2},
	urldate = {2025-05-12},
	journal = {Sustainability},
	author = {Soini, Katriina and Dessein, Joost},
	month = feb,
	year = {2016},
	pages = {167},
	file = {Volltext:C\:\\Users\\cwik\\Zotero\\storage\\2VTGQT5K\\Soini und Dessein - 2016 - Culture-Sustainability Relation Towards a Conceptual Framework.pdf:application/pdf},
}

@article{stylianou-lambert_museums_2014,
	title = {Museums and cultural sustainability: stakeholders, forces, and cultural policies},
	volume = {20},
	issn = {1028-6632, 1477-2833},
	shorttitle = {Museums and cultural sustainability},
	url = {http://www.tandfonline.com/doi/abs/10.1080/10286632.2013.874420},
	doi = {10.1080/10286632.2013.874420},
	language = {en},
	number = {5},
	urldate = {2025-05-12},
	journal = {International Journal of Cultural Policy},
	author = {Stylianou-Lambert, Theopisti and Boukas, Nikolaos and Christodoulou-Yerali, Marina},
	month = oct,
	year = {2014},
	pages = {566--587},
}

@article{swanson_theoretical_2017,
	title = {A theoretical framework for sustaining culture: {Culturally} sustainable entrepreneurship},
	volume = {62},
	issn = {01607383},
	shorttitle = {A theoretical framework for sustaining culture},
	url = {https://linkinghub.elsevier.com/retrieve/pii/S0160738316301712},
	doi = {10.1016/j.annals.2016.12.003},
	language = {en},
	urldate = {2025-05-12},
	journal = {Annals of Tourism Research},
	author = {Swanson, Kristen K. and DeVereaux, Constance},
	month = jan,
	year = {2017},
	pages = {78--88},
}

@article{throsby_culturally_2017,
	title = {Culturally sustainable development: theoretical concept or practical policy instrument?},
	volume = {23},
	issn = {1028-6632, 1477-2833},
	shorttitle = {Culturally sustainable development},
	url = {https://www.tandfonline.com/doi/full/10.1080/10286632.2017.1280788},
	doi = {10.1080/10286632.2017.1280788},
	language = {en},
	number = {2},
	urldate = {2025-05-12},
	journal = {International Journal of Cultural Policy},
	author = {Throsby, David},
	month = mar,
	year = {2017},
	pages = {133--147},
}

@article{recuero_virto_how_2017,
	title = {How can {European} museums reach sustainability?},
	volume = {72},
	copyright = {https://www.emerald.com/insight/site-policies},
	issn = {1660-5373},
	url = {https://www.emerald.com/insight/content/doi/10.1108/TR-03-2017-0038/full/html},
	doi = {10.1108/TR-03-2017-0038},
	abstract = {Purpose
              This research aims to provide evidence of the impacts of market orientation, customer value approach (through prestige, value for money and reputation for quality) and innovation on museum sustainability.
            
            
              Design/methodology/approach
              The model is analysed through partial least squares (PLS-SEM), using a sample of 549 European museums.
            
            
              Findings
              The results reveal that reputation for quality, prestige, innovation and value for money positively and significantly influence museum sustainability. Interestingly, the most meaningful linkage is between market orientation and innovation.
            
            
              Practical implications
              This research helps museums that need to increase their customer value and innovativeness so as to ensure museum sustainability. It proves that museum managers have to increase employees’ involvement in decision-making processes.
            
            
              Originality/value
              By using a wide sample of European museums, this study suggests that museum managers need to consider the impact of marketing strategies and customer value perceptions on the economic and social sustainability of museums.},
	language = {en},
	number = {3},
	urldate = {2025-05-12},
	journal = {Tourism Review},
	author = {Recuero Virto, Nuria and Blasco López, Maria Francisca and San-Martín, Sonia},
	month = aug,
	year = {2017},
	pages = {303--318},
}

@article{vlassis_culture_2015,
	title = {Culture in the post-2015 development agenda: the anatomy of an international mobilisation},
	volume = {36},
	issn = {0143-6597, 1360-2241},
	shorttitle = {Culture in the post-2015 development agenda},
	url = {http://www.tandfonline.com/doi/full/10.1080/01436597.2015.1052064},
	doi = {10.1080/01436597.2015.1052064},
	language = {en},
	number = {9},
	urldate = {2025-05-12},
	journal = {Third World Quarterly},
	author = {Vlassis, Antonios},
	month = sep,
	year = {2015},
	pages = {1649--1662},
	file = {Volltext:C\:\\Users\\cwik\\Zotero\\storage\\F7BGCFVT\\Vlassis - 2015 - Culture in the post-2015 development agenda the anatomy of an international mobilisation.pdf:application/pdf},
}

@article{wang_behavioral_2020,
	title = {The {Behavioral} {Pattern} of {Chinese} {Public} {Cultural} {Participation} in {Museums}},
	volume = {12},
	copyright = {https://creativecommons.org/licenses/by/4.0/},
	issn = {2071-1050},
	url = {https://www.mdpi.com/2071-1050/12/7/2890},
	doi = {10.3390/su12072890},
	abstract = {Studying the cultural participation model of the public and its influencing factors is important for the sustainable development of regional culture. Therefore, in this study, we determined which factors influence the cultural participation of the Chinese public. Firstly, we extracted the key features of the motivation and timing for a museum visit with multiple correspondence analysis (MCA), and explored the relationship of the features of different motivations with the frequency and duration of the public’s visits to the museum. Secondly, we determined the monotonicity of the influence of ordinal variables on cultural participation behavior and identified the mechanism through which the independent variable influences public cultural participation with categorical regression (CATREG). Finally, we analyzed the research data from the museum audience survey in the Hubei Provincial Museum and a national public culture participation survey. We found that education, occupation, academic discipline, income, distance, age, and sex affect the public’s museum participation. This indicates that to guarantee the public’s cultural rights and promote sustainable development, education, planning, and other aspects must be coordinated in cultural management to increase public cultural participation, rather than removing the economic threshold for public cultural participation through public finances alone.},
	language = {en},
	number = {7},
	urldate = {2025-05-12},
	journal = {Sustainability},
	author = {Wang, Wende and Fu, Mozhuang and Hu, Qingwu},
	month = apr,
	year = {2020},
	pages = {2890},
	file = {Volltext:C\:\\Users\\cwik\\Zotero\\storage\\3U57RVTC\\Wang et al. - 2020 - The Behavioral Pattern of Chinese Public Cultural Participation in Museums.pdf:application/pdf},
}

@article{wang_measuring_2024,
	title = {Measuring museum sustainability in {China}: a {DSR} model-driven approach to empower sustainable development goals ({SDGs})},
	volume = {11},
	issn = {2662-9992},
	shorttitle = {Measuring museum sustainability in {China}},
	url = {https://www.nature.com/articles/s41599-024-03437-z},
	doi = {10.1057/s41599-024-03437-z},
	language = {en},
	number = {1},
	urldate = {2025-05-12},
	journal = {Humanities and Social Sciences Communications},
	author = {Wang, Siyi and Yu, Liying and Rong, Yuan},
	month = jul,
	year = {2024},
	keywords = {Read},
	pages = {982},
	file = {Volltext:C\:\\Users\\cwik\\Zotero\\storage\\YCDSVAPR\\Wang et al. - 2024 - Measuring museum sustainability in China a DSR model-driven approach to empower sustainable develop.pdf:application/pdf},
}

@article{wickham_communicating_2015,
	title = {Communicating sustainability priorities in the museum sector},
	volume = {23},
	issn = {0966-9582, 1747-7646},
	url = {http://www.tandfonline.com/doi/full/10.1080/09669582.2015.1042483},
	doi = {10.1080/09669582.2015.1042483},
	language = {en},
	number = {7},
	urldate = {2025-05-12},
	journal = {Journal of Sustainable Tourism},
	author = {Wickham, Mark and Lehman, Kim},
	month = aug,
	year = {2015},
	pages = {1011--1028},
}

@article{wiktor-mach_what_2020,
	title = {What role for culture in the age of sustainable development? {UNESCO}’s advocacy in the 2030 {Agenda} negotiations},
	volume = {26},
	issn = {1028-6632, 1477-2833},
	shorttitle = {What role for culture in the age of sustainable development?},
	url = {https://www.tandfonline.com/doi/full/10.1080/10286632.2018.1534841},
	doi = {10.1080/10286632.2018.1534841},
	language = {en},
	number = {3},
	urldate = {2025-05-12},
	journal = {International Journal of Cultural Policy},
	author = {Wiktor-Mach, Dobrosława},
	month = apr,
	year = {2020},
	pages = {312--327},
}

@article{wroblewski_sustainable_2018,
	title = {Sustainable {Consumer} {Behaviour} in the {Market} of {Cultural} {Services} in {Central} {European} {Countries}: {The} {Example} of {Poland}},
	volume = {10},
	copyright = {https://creativecommons.org/licenses/by/4.0/},
	issn = {2071-1050},
	shorttitle = {Sustainable {Consumer} {Behaviour} in the {Market} of {Cultural} {Services} in {Central} {European} {Countries}},
	url = {https://www.mdpi.com/2071-1050/10/11/3856},
	doi = {10.3390/su10113856},
	abstract = {In the second decade of the 21st century, in the developed countries of Central Europe, we can observe the transfer of free time to consumption, including the consumption of cultural services. This change, however, has led to some disturbances in the consumption of cultural services. Disturbances, which in particular relate to the sphere of needs, the sphere of the means of meeting needs and, finally, the sphere of consumer behaviour; for example, in relation to transport. In this article, most of the attention was devoted to the last category of disturbances (the sphere of consumer behaviour) and specifically concerned the culture service customers’ choice of means of transport to a specific cultural event. The research carried out by the authors shows that the most popular means of transport used on the way to a symphonic concert held in Katowice is still one’s own car. This applies to both residents of the city of Katowice, who could easily get to the concert using public transport (bus, tram) or on foot, as well as people from outside Katowice (who, as the research shows, very rarely use Katowice’s extensive rail network and well-developed intercity bus service). Thus, it has been proved that despite various legal regulations conducive to sustainable consumption, the majority of Polish consumers of cultural services in the analysed area of consumer behaviour do not follow this concept. The article opens with a review of the literature on free time and the sustainable consumption of cultural services. The next part of the study presents the results and conclusions of research conducted on a group of 515 consumers of philharmonic services. The last part of the article discusses the results obtained and indicates the existing management implications.},
	language = {en},
	number = {11},
	urldate = {2025-05-12},
	journal = {Sustainability},
	author = {Wróblewski, Łukasz and Dacko-Pikiewicz, Zdzisława},
	month = oct,
	year = {2018},
	pages = {3856},
	file = {Volltext:C\:\\Users\\cwik\\Zotero\\storage\\CI2NHU6P\\Wróblewski und Dacko-Pikiewicz - 2018 - Sustainable Consumer Behaviour in the Market of Cultural Services in Central European Countries The.pdf:application/pdf},
}

@article{wyszomirski_shaping_2013,
	title = {Shaping a triple-bottom line for nonprofit arts organizations: {Micro}-, macro-, and meta-policy influences},
	volume = {22},
	issn = {0954-8963, 1469-3690},
	shorttitle = {Shaping a triple-bottom line for nonprofit arts organizations},
	url = {http://www.tandfonline.com/doi/abs/10.1080/09548963.2013.817645},
	doi = {10.1080/09548963.2013.817645},
	language = {en},
	number = {3-4},
	urldate = {2025-05-12},
	journal = {Cultural Trends},
	author = {Wyszomirski, Margaret Jane},
	month = dec,
	year = {2013},
	pages = {156--166},
}

@article{zhao_are_2024,
	title = {Are {We} on the {Same} {Page}? {Chinese} {General} {Visitors}’ {Perception} of the {Role} of {Museums} in {Sustainable} {Development}},
	volume = {16},
	copyright = {https://creativecommons.org/licenses/by/4.0/},
	issn = {2071-1050},
	shorttitle = {Are {We} on the {Same} {Page}?},
	url = {https://www.mdpi.com/2071-1050/16/22/9768},
	doi = {10.3390/su16229768},
	abstract = {The issue of sustainability has emerged as a focal point within the museum sector. This article aims to investigate the perceptions and attitudes of Chinese general visitors towards museums and sustainability. To achieve this, we employed a visitor evaluation approach, with inhabitants of the Chinese mainland serving as the target population. We conducted a survey using an online questionnaire, yielding a total of 1260 valid samples. The study finds that most museum visitors in mainland China see a strong link between museums and sustainable development, with factors like age, gender, education, familiarity with sustainable development, and museum interaction shaping these perceptions. The results indicate that large segments of the Chinese visitors hold a favourable perception of the significance of museums in terms of environmental, social, economic, and cultural sustainability. However, the visitor generally does not wish to sacrifice their own visiting experience to enhance museums’ sustainable development capacities. The article examines the relationship between museums and sustainability and offers recommendations for museum practice and policymaking in China and beyond.},
	language = {en},
	number = {22},
	urldate = {2025-05-12},
	journal = {Sustainability},
	author = {Zhao, Xingyu and Mao, Ruohan and Ai, Jingfang},
	month = nov,
	year = {2024},
	pages = {9768},
}

@article{cerquetti_measuring_2024,
	title = {Measuring museum sustainability within the framework of institutional theory: {A} dictionary‐based content analysis of {French} and {British} {National} {Museums}' annual reports},
	volume = {31},
	issn = {1535-3958, 1535-3966},
	shorttitle = {Measuring museum sustainability within the framework of institutional theory},
	url = {https://onlinelibrary.wiley.com/doi/10.1002/csr.2689},
	doi = {10.1002/csr.2689},
	abstract = {Abstract
            In the context of increasing attention on museum sustainability, this research adopts a dictionary‐based, content‐analysis approach to measure the degree of sustainability disclosed in European museum annual reports and similar documents. The analysis is carried out through the lens of institutional theory, assuming that the presence of formal and informal regulations positively affects the level of sustainability in annual reporting practices. Furthermore, the paper discusses the level of sustainability disclosed by different types of museums and the impact of the COVID‐19 pandemic on the extent of sustainability‐oriented reporting. The article compares top public museums in the UK and France, the European countries where accountability practices are most deeply rooted for legal and cultural reasons, and where the most visited museums in the world are located. The findings show that the type of museum and the country significantly affect the ESG (Environmental, Social, and Governance) score, whereas mentioning COVID‐19 or the year of publication does not.},
	language = {en},
	number = {3},
	urldate = {2025-05-14},
	journal = {Corporate Social Responsibility and Environmental Management},
	author = {Cerquetti, Mara and Sardanelli, Domenico and Ferrara, Concetta},
	month = may,
	year = {2024},
	pages = {2260--2276},
	file = {Volltext:C\:\\Users\\cwik\\Zotero\\storage\\PEAN3RRU\\Cerquetti et al. - 2024 - Measuring museum sustainability within the framework of institutional theory A dictionary‐based con.pdf:application/pdf},
}

@article{feher_cultural_2023,
	title = {Cultural {Sustainability} and {Social} {Inclusion}: {A} {Case} {Study} of {Contemporary} {Art} {Museums} in {Hungary}},
	volume = {75},
	issn = {1350-0775, 1468-0033},
	shorttitle = {Cultural {Sustainability} and {Social} {Inclusion}},
	url = {https://www.tandfonline.com/doi/full/10.1080/13500775.2023.2343216},
	doi = {10.1080/13500775.2023.2343216},
	language = {en},
	number = {1-4},
	urldate = {2025-05-14},
	journal = {Museum International},
	author = {Fehér, Zsuzsanna and Kay Smith, Melanie and Ásványi, Katalin},
	month = jan,
	year = {2023},
	pages = {164--177},
}

@article{ferran-vila_sdgs_2022,
	title = {The {SDGs} in the {EU} {Cultural} {Policies}: an institutional communication perspective},
	volume = {35},
	copyright = {https://creativecommons.org/licenses/by-nc-nd/4.0},
	issn = {2386-7876},
	shorttitle = {The {SDGs} in the {EU} {Cultural} {Policies}},
	url = {https://revistas.unav.edu/index.php/communication-and-society/article/view/41946},
	doi = {10.15581/003.35.4.117-131},
	abstract = {The main goal of this research is to analyze the experts’ opinions on cultural sustainability and the importance of sustainable development in the EU cultural policies. Besides, the research analyses how institutional communication may contribute to the introduction of the sustainable development, and, specifically, of the SDGs in the European Union cultural policies’ definition. In order to achieve these objectives, we share a survey with several experts in EU cultural policies. The experts’ conclusions show that the SDGs need to be explicitly included in the cultural policies, adding a more practical perspective through specific projects and action plans. Institutional communication is a strategic factor for the success of sustainable development in terms of cultural policies and cultural sustainability in the European Union.},
	number = {4},
	urldate = {2025-05-14},
	journal = {Communication \& Society},
	author = {Ferran-Vila, Susanna and Miotto, Giorgia and Rom-Rodríguez, Josep},
	month = oct,
	year = {2022},
	pages = {117--131},
	file = {Volltext:C\:\\Users\\cwik\\Zotero\\storage\\SB5P3Z3U\\Ferran-Vila et al. - 2022 - The SDGs in the EU Cultural Policies an institutional communication perspective.pdf:application/pdf},
}

@article{downton_putting_2024,
	title = {Putting the \textit{{Theatre} {Green} {Book}} into practice: sustainability, pedagogy and the conservatoire},
	volume = {15},
	issn = {1944-3927, 1944-3919},
	shorttitle = {Putting the \textit{{Theatre} {Green} {Book}} into practice},
	url = {https://www.tandfonline.com/doi/full/10.1080/19443927.2024.2380840},
	doi = {10.1080/19443927.2024.2380840},
	language = {en},
	number = {3},
	urldate = {2025-05-14},
	journal = {Theatre, Dance and Performance Training},
	author = {Downton, Katy},
	month = jul,
	year = {2024},
	pages = {429--444},
	file = {Full Text PDF:C\:\\Users\\cwik\\Zotero\\storage\\VF4P573G\\Downton - 2024 - Putting the Theatre Green Book into practice sustainability, pedagogy and the conservatoire.pdf:application/pdf},
}

@article{hedges_actions_2021,
	title = {Actions for the future: determining sustainability efforts in practice in {Arizona} museums},
	volume = {36},
	issn = {0964-7775, 1872-9185},
	shorttitle = {Actions for the future},
	url = {https://www.tandfonline.com/doi/full/10.1080/09647775.2020.1752293},
	doi = {10.1080/09647775.2020.1752293},
	language = {en},
	number = {1},
	urldate = {2025-05-16},
	journal = {Museum Management and Curatorship},
	author = {Hedges, Emily},
	month = jan,
	year = {2021},
	pages = {82--103},
}

@article{beer_sustainability_2017,
	title = {Sustainability in production: {Exploring} eco-creativity within the parameters of conventional theatre},
	journal = {Behind the Scenes: Journal of Theatre Production Practice},
	author = {Beer, Tanja and Hes, Dominique},
	year = {2017},
	file = {PDF:C\:\\Users\\cwik\\Zotero\\storage\\YSSYR56A\\Beer und Hes - 2017 - Sustainability in production Exploring eco-creativity within the parameters of conventional theatre.pdf:application/pdf},
}

@article{lobo_guerrero_arenas_re-imagining_2021,
	title = {Re-imagining {Museums} in a {Pandemic}: {New} {Governance} {For} a {Living}, {Open} and {Sustainable} {Museum}},
	volume = {73},
	issn = {1350-0775, 1468-0033},
	shorttitle = {Re-imagining {Museums} in a {Pandemic}},
	url = {https://www.tandfonline.com/doi/full/10.1080/13500775.2021.2016282},
	doi = {10.1080/13500775.2021.2016282},
	language = {en},
	number = {3-4},
	urldate = {2025-05-16},
	journal = {Museum International},
	author = {Lobo Guerrero Arenas, Jimena and Zuluaga Medina, María Fernanda},
	month = jul,
	year = {2021},
	pages = {108--119},
}

@article{pringle_sustainable_2021,
	title = {Sustainable practice in theatrical lighting design: a designer’s perspective},
	volume = {7},
	issn = {2332-2551, 2332-2578},
	shorttitle = {Sustainable practice in theatrical lighting design},
	url = {https://www.tandfonline.com/doi/full/10.1080/23322551.2021.1996107},
	doi = {10.1080/23322551.2021.1996107},
	language = {en},
	number = {3-4},
	urldate = {2025-05-16},
	journal = {Theatre and Performance Design},
	author = {Pringle, Bronwyn},
	month = oct,
	year = {2021},
	pages = {180--198},
}

@article{perez_turning_2023,
	title = {Turning it sustainable: implementing sustainability goals in theatre productions at {NTNU}},
	volume = {12},
	copyright = {http://creativecommons.org/licenses/by/4.0},
	issn = {2535-7328},
	shorttitle = {Turning it sustainable},
	url = {https://journals.oslomet.no/index.php/ar/article/view/5247},
	doi = {10.7577/ar.5247},
	abstract = {This article proposes ways of implementing sustainability goals in theatre productions to create interesting creative expressions. It is a case study that examines the work done by the author in the first-year bachelor course on “Theatre Production” in 2021-2023, to turn the course sustainable by addressing UN Sustainable Development Goal no. 12 “Responsible Consumption and Production”.
In the article, I describe the course’s design and curatorial choices, and the tools used to identify and implement sustainable goals. I discuss the impact of integrating the 4R principles (Reuse, Reduce, Repurpose, Recycle) and the Climate Policy and Action Plans in the creative process. I then argue that the qualities of the sustainable process – the counting and the measuring – impact the artistic choices in unexpected ways.
Cover image: From the performance “People and their enemies” (2021). Photo: Elena Perez},
	number = {2},
	urldate = {2025-05-16},
	journal = {Nordic Journal of Art \& Research},
	author = {Pérez, Elena},
	month = nov,
	year = {2023},
	file = {Volltext:C\:\\Users\\cwik\\Zotero\\storage\\N2R75RB3\\Pérez - 2023 - Turning it sustainable implementing sustainability goals in theatre productions at NTNU.pdf:application/pdf},
}

@article{pyykkonen_naturalizing_2024,
	title = {Naturalizing culture—time for an ecological understanding of “culture” in international culture and sustainability policies},
	volume = {6},
	issn = {2673-3145},
	url = {https://www.frontiersin.org/articles/10.3389/fpos.2024.1252771/full},
	doi = {10.3389/fpos.2024.1252771},
	abstract = {The current hegemonic understanding of culture and sustainability leans strongly on the conceptualization of ‘culture’ as profoundly anthropocentric. ‘Sustainability’ in cultural policies again means often the potential of creative industries in contributing to economic growth. This approach can be seen as very problematic in the era of extending the environmental crisis, which urgently calls for not only new kinds of policies on sustainability but also new thinking on the relationship between culture and nature. The main purpose of this article is to analyze how recent theories and concepts concerning the rethinking of nature–culture relationship and ecological citizen-subjectivity could challenge the hegemonic economist sustainability discourse of cultural policies. The article presents the results of discourse analysis on how the economic side of sustainability has recently become the mainstream signification in international cultural policies and what are the major documents and institutions maintaining and strengthening this approach. The discourse analysis focuses on the questions: how is cultural sustainability systematically signified, and what are the arguments and justifications for the main significations the documents make? The data consist of the conventions, declarations, and program papers of the G20, OECD, UN, UNCTAD, UNESCO, and WTO from “Brundtland report” (1987) until now. Theoretically, I go through the recent ideas of social theories on the ecologization of economy, society, culture, and citizenship/subjectivity as proposed by Tim Jackson, Bruno Latour, Andreas Malm, and the Planetary Wellbeing Research Group. I consider how the hegemony of economism and anthropocentrism in cultural policies could be changed with their help.},
	urldate = {2025-05-16},
	journal = {Frontiers in Political Science},
	author = {Pyykkönen, Miikka},
	month = feb,
	year = {2024},
	pages = {1252771},
	file = {Volltext:C\:\\Users\\cwik\\Zotero\\storage\\L7LTLIGL\\Pyykkönen - 2024 - Naturalizing culture—time for an ecological understanding of “culture” in international culture and.pdf:application/pdf},
}

@article{pyykkonen_what_2025,
	title = {What is the role of creative industries in the {Anthropocene}? {An} argument for planetary cultural policy},
	volume = {109},
	issn = {0304422X},
	shorttitle = {What is the role of creative industries in the {Anthropocene}?},
	url = {https://linkinghub.elsevier.com/retrieve/pii/S0304422X25000014},
	doi = {10.1016/j.poetic.2025.101971},
	language = {en},
	urldate = {2025-05-16},
	journal = {Poetics},
	author = {Pyykkönen, Miikka and De Beukelaer, Christiaan},
	month = apr,
	year = {2025},
	pages = {101971},
}

@article{pekkarinen_towards_2025,
	title = {Towards an ecosystemic approach to culture and sustainability},
	issn = {1028-6632, 1477-2833},
	url = {https://www.tandfonline.com/doi/full/10.1080/10286632.2025.2455017},
	doi = {10.1080/10286632.2025.2455017},
	language = {en},
	urldate = {2025-05-16},
	journal = {International Journal of Cultural Policy},
	author = {Pekkarinen, Jenni},
	month = jan,
	year = {2025},
	pages = {1--18},
	file = {Full Text PDF:C\:\\Users\\cwik\\Zotero\\storage\\MB3C6BH4\\Pekkarinen - 2025 - Towards an ecosystemic approach to culture and sustainability.pdf:application/pdf},
}

@article{meissner_towards_2021,
	title = {Towards a cultural politics of degrowth: prefiguration, popularization and pressure},
	volume = {28},
	copyright = {https://creativecommons.org/licenses/by/4.0},
	issn = {1073-0451},
	shorttitle = {Towards a cultural politics of degrowth},
	url = {https://journals.librarypublishing.arizona.edu/jpe/article/id/2972/},
	doi = {10.2458/jpe.2972},
	abstract = {This article discusses the role of culture in political ecology, with a focus on degrowth. Environmental scientists increasingly consider systemic societal changes such as degrowth as indispensable for the effective tackling of current climate and ecological crises, while 
governments and civil society remain skeptical of it. To tackle this challenge, this article argues for the strategic employment of cultural practices, values, narratives and identities within degrowth politics. The majority of existing degrowth scholarship considers cultural politics in terms of prefiguration – the act of performing degrowth futures in the present. Drawing on Stuart Hall's concept of politics as production, Chantal Mouffe's plea for a left populism, John Jordan's practice of artivism and Caroline Levine's notion of strategic formalism, this article advocates an extended understanding of cultural politics. It proposes a conceptual framework and research agenda that considers three dimensions of cultural politics: prefiguration, popularization and pressure. To illustrate these dimensions, it gives examples from contemporary activism and popular culture. The article's scientific goal is to conceptualize the functional and strategic role culture can play as instrument in the campaigning and activist uprising for degrowth. Its practical goal is to offer degrowth advocates and activists insights on how to mobilize various existing and emerging cultural forms towards their end.},
	number = {1},
	urldate = {2025-09-26},
	journal = {Journal of Political Ecology},
	author = {Meissner, Miriam},
	month = aug,
	year = {2021},
	file = {Volltext:C\:\\Users\\cwik\\Zotero\\storage\\UJCKHK77\\Meissner - 2021 - Towards a cultural politics of degrowth prefiguration, popularization and pressure.pdf:application/pdf},
}

@article{zannis_energy_2006,
	title = {Energy efficiency in retrofitted and new museum buildings in {Europe}},
	volume = {25},
	issn = {1478-6451, 1478-646X},
	url = {http://www.tandfonline.com/doi/abs/10.1080/14786450600921645},
	doi = {10.1080/14786450600921645},
	language = {en},
	number = {3-4},
	urldate = {2025-10-16},
	journal = {International Journal of Sustainable Energy},
	author = {Zannis, G. and Santamouris, M. and Geros, V. and Karatasou, S. and Pavlou, K. and Assimakopoulos, M. N.},
	month = sep,
	year = {2006},
	pages = {199--213},
}

@article{sala_energy_2007,
	title = {Energy efficient and sustainable ancient museum buildings: a case study in {Florence}},
	volume = {26},
	issn = {1478-6451, 1478-646X},
	shorttitle = {Energy efficient and sustainable ancient museum buildings},
	url = {http://www.tandfonline.com/doi/abs/10.1080/14786450600921405},
	doi = {10.1080/14786450600921405},
	language = {en},
	number = {2},
	urldate = {2025-10-16},
	journal = {International Journal of Sustainable Energy},
	author = {Sala, Marco and Gallo, Paola},
	month = jun,
	year = {2007},
	pages = {61--78},
	file = {PDF:C\:\\Users\\cwik\\Zotero\\storage\\TT85HTJS\\Sala und Gallo - 2007 - Energy efficient and sustainable ancient museum buildings a case study in Florence.pdf:application/pdf},
}

@article{farreny_metabolism_2012,
	title = {The metabolism of cultural services. {Energy} and water flows in museums},
	volume = {47},
	copyright = {https://www.elsevier.com/tdm/userlicense/1.0/},
	issn = {03787788},
	url = {https://linkinghub.elsevier.com/retrieve/pii/S0378778811006487},
	doi = {10.1016/j.enbuild.2011.11.050},
	language = {en},
	urldate = {2025-10-16},
	journal = {Energy and Buildings},
	author = {Farreny, Ramon and Oliver-Solà, Jordi and Escuder-Bonilla, Sangara and Roca-Martí, Montserrat and Sevigné, Eva and Gabarrell, Xavier and Rieradevall, Joan},
	month = apr,
	year = {2012},
	pages = {98--106},
}

@article{rota_museum_2015,
	title = {The museum in historical buildings: {Energy} and systems. {The} project of the {Fondazione} {Musei} {Senesi}},
	volume = {95},
	issn = {03787788},
	shorttitle = {The museum in historical buildings},
	url = {https://linkinghub.elsevier.com/retrieve/pii/S0378778814009335},
	doi = {10.1016/j.enbuild.2014.11.008},
	language = {en},
	urldate = {2025-10-16},
	journal = {Energy and Buildings},
	author = {Rota, Michela and Corgnati, Stefano Paolo and Di Corato, Luigi},
	month = may,
	year = {2015},
	pages = {138--143},
}

@article{cameron_climate_2012,
	title = {Climate change, agencies and the museum and science centre sector},
	volume = {27},
	issn = {0964-7775, 1872-9185},
	url = {http://www.tandfonline.com/doi/abs/10.1080/09647775.2012.720183},
	doi = {10.1080/09647775.2012.720183},
	language = {en},
	number = {4},
	urldate = {2025-10-16},
	journal = {Museum Management and Curatorship},
	author = {Cameron, Fiona R.},
	month = oct,
	year = {2012},
	pages = {317--339},
}

@article{lambert_carbon_2011,
	title = {The carbon footprint of museum loans: a pilot study at {Amgueddfa} {Cymru} – {National} {Museum} {Wales}},
	volume = {26},
	issn = {0964-7775, 1872-9185},
	shorttitle = {The carbon footprint of museum loans},
	url = {http://www.tandfonline.com/doi/abs/10.1080/09647775.2011.568169},
	doi = {10.1080/09647775.2011.568169},
	language = {en},
	number = {3},
	urldate = {2025-10-16},
	journal = {Museum Management and Curatorship},
	author = {Lambert, Simon and Henderson, Jane},
	month = aug,
	year = {2011},
	pages = {209--235},
}

@article{balcare_reduce_2023,
	title = {Reduce, {Reuse}, or {Refuse}?: {Pioneering} {Sustainability} in the {Theatre} {Scene} in {Latvia}},
	volume = {34},
	issn = {2002-3898, 0904-6380},
	shorttitle = {Reduce, {Reuse}, or {Refuse}?},
	url = {https://tidsskrift.dk/nts/article/view/137929},
	doi = {10.7146/nts.v34i1.137929},
	abstract = {Taking into account that the performing arts could play a huge role in shaping the ecological awareness of society, it is important not only to look at the econarratives of performances but also to analyse the process of their production in terms of sustainability. Reduce, reuse, and recycle – these are essential components of environmentally responsible consumer behaviour. But what about the theatre scene? What are the main challenges for theatre professionals in terms of their ecological footprint? Despite the fact that theatre has been perceived as anti-ecological per se, the first signs of a shift in the mindset of theatre makers is already visible. There has been an increase in ecotheatre performances that not only use ecodramaturgy and represent crucial econarratives pertaining to environmental conservation but also apply aspects of sustainability in the production process of the performances. Such aspects are important in regard to the conviction that ecotheatre is becoming a form of environmental activism. During the recent pandemic (2020–22), several performances in Latvia were based on ecodramaturgy and contained features of ecotheatre. This paper aims to explore the latest sustainable practices and ecological aspects in the theatre scene in Latvia.},
	number = {1},
	urldate = {2025-10-16},
	journal = {Nordic Theatre Studies},
	author = {Balcare, Kitija},
	month = jun,
	year = {2023},
	pages = {109--126},
	file = {Full Text PDF:C\:\\Users\\cwik\\Zotero\\storage\\EXYL3VKU\\Balcare - 2023 - Reduce, Reuse, or Refuse Pioneering Sustainability in the Theatre Scene in Latvia.pdf:application/pdf},
}

@article{byrn_introducing_2023,
	title = {Introducing {Behavioral} {Wedges} and {Nudging} {Into} the {Production} {Process} to {Reduce} {CO2}: {Frontløberne} and the {First} {Attempt} to {Create} a {CO2} {Neutral} {Production} in {Denmark}},
	volume = {34},
	issn = {2002-3898, 0904-6380},
	shorttitle = {Introducing {Behavioral} {Wedges} and {Nudging} {Into} the {Production} {Process} to {Reduce} {CO2}},
	url = {https://tidsskrift.dk/nts/article/view/137928},
	doi = {10.7146/nts.v34i1.137928},
	abstract = {In January 2020, two actors in Denmark started an association, Bæredygtig Scenekunst NU (BS NU), dedicated to making theatre environmentally sustainable. Six weeks later, the country closed down due to COVID-19, and theatres closed. A few weeks later, Jacob Teglgaard from BS NU and Anne Gry Henningsen, Artistic Director of Mærkværk agreed that the play Frontløberne would be BS NU’s pilot project and proof of concept to test the policies and procedures BS NU hoped to eventually institute throughout the performing arts industry in Denmark. BS NU introduced behavioral wedges in the forms of an Environmental Policy, an Environmental Action Plan, and monitoring into the production process with the goal of nudging behavior to reduce emissions. In light of these behavioral wedges, this article will examine BS NU and Mærkværk’s journey of sustainability, the steps taken to create a sustainable production, elaborate the successes and failures of the process, and, most importantly, create a baseline CO2 figure for the production. Furthermore, it will discuss whether the behavioral wedges and nudging have led to shifting mindsets and long term behavioral changes that reduce CO2 emissions in theatrical production processes at Mærkværk.},
	number = {1},
	urldate = {2025-10-16},
	journal = {Nordic Theatre Studies},
	author = {Byrn, Whitney},
	month = jun,
	year = {2023},
	pages = {90--108},
	file = {Volltext:C\:\\Users\\cwik\\Zotero\\storage\\VASCSZF4\\Byrn - 2023 - Introducing Behavioral Wedges and Nudging Into the Production Process to Reduce CO2 Frontløberne an.pdf:application/pdf},
}

@article{soini_exploring_2014,
	title = {Exploring the scientific discourse on cultural sustainability},
	volume = {51},
	issn = {00167185},
	url = {https://linkinghub.elsevier.com/retrieve/pii/S0016718513002558},
	doi = {10.1016/j.geoforum.2013.12.001},
	language = {en},
	urldate = {2025-11-14},
	journal = {Geoforum},
	author = {Soini, Katriina and Birkeland, Inger},
	month = jan,
	year = {2014},
	pages = {213--223},
}

@article{pulido_cultural_nodate,
	title = {Cultural and {Arts} {Management} {During} an {Era} of {Sustainable} {Development}},
	abstract = {Thirty years after publication of the Brundtland Report on sustainable development, a number of artists and arts organizations are at the forefront in terms of implementing sustainable practices in their regular activities. The purpose of this article is to identify the different roles and illustrate the motivations of performing arts organizations that adopt ecological practices in their infrastructure, their artistic production processes and their presenting activities. The article presents four case studies in order to identify and discuss the key competencies needed for performing arts organizations to be successful in terms of sustainable development. The managerial implications of implementing best practices are discussed.},
	language = {en},
	author = {Pulido, Cristian and Ravanas, Philippe and Courchesne, André},
	file = {PDF:C\:\\Users\\cwik\\Zotero\\storage\\RF3SJDIC\\Pulido et al. - Cultural and Arts Management During an Era of Sustainable Development.pdf:application/pdf},
}

@article{lanzinger_local_2019,
	title = {Local {Development} and {Sustainable} {Development} {Goals}: {A} {Museum} {Experience}},
	volume = {71},
	issn = {1350-0775, 1468-0033},
	shorttitle = {Local {Development} and {Sustainable} {Development} {Goals}},
	url = {https://www.tandfonline.com/doi/full/10.1080/13500775.2019.1706945},
	doi = {10.1080/13500775.2019.1706945},
	language = {en},
	number = {3-4},
	urldate = {2026-01-26},
	journal = {Museum International},
	author = {Lanzinger, Michele and Garlandini, Alberto},
	month = nov,
	year = {2019},
	pages = {46--57},
}

@article{navas_iannini_museum_2022,
	title = {Museum staff perspectives about a sustainability exhibition: what do they tell us about scientific literacy?},
	volume = {12},
	issn = {2154-8455, 2154-8463},
	shorttitle = {Museum staff perspectives about a sustainability exhibition},
	url = {https://www.tandfonline.com/doi/full/10.1080/21548455.2021.2015638},
	doi = {10.1080/21548455.2021.2015638},
	language = {en},
	number = {1},
	urldate = {2026-01-26},
	journal = {International Journal of Science Education, Part B},
	author = {Navas Iannini, Ana Maria and Pedretti, Erminia},
	month = jan,
	year = {2022},
	pages = {1--21},
}

@article{vidican-teohari_orchestrating_2025,
	title = {Orchestrating sustainability: {Integrated} approaches in performing arts management for economic, social, and environmental resilience},
	journal = {International Journal of Arts Management},
	author = {Vidican-Teohari, G. and Brancu, L. and Andris, L.-C.},
	year = {2025},
}

@article{orea-giner_sustainability_2021,
	title = {Sustainability, economic value and socio-cultural impacts of museums: a theoretical proposition of a research method},
	volume = {36},
	issn = {0964-7775, 1872-9185},
	shorttitle = {Sustainability, economic value and socio-cultural impacts of museums},
	url = {https://www.tandfonline.com/doi/full/10.1080/09647775.2019.1700468},
	doi = {10.1080/09647775.2019.1700468},
	language = {en},
	number = {1},
	urldate = {2026-01-26},
	journal = {Museum Management and Curatorship},
	author = {Orea-Giner, Alicia and De-Pablos-Heredero, Carmen and Vacas Guerrero, Trinidad},
	month = jan,
	year = {2021},
	pages = {48--61},
}
